Arri

https://www.arri.com
https://www.linkedin.com/company/arri/

Arri, a privately owned German media group founded in 1917, designs and manufactures camera equipment, including cameras, lenses, and lighting systems. The company also operates rental services across Europe, supporting film and television productions. Employing approximately 750 people, Arri generated revenue of around $500 million in 2022. Its core business is centered around content acquisition through the provision of equipment and services to the film and television industry.

2023 Revenue

Founded

1917

Headcount

743

Headquarters

Germany

Primary Segment

Content acquisition

Ownership

Privately Owned

Deployments

News Summary:

On an unspecified date, ARRI introduced the LPM-1 live production monitor, a 10-inch display and control interface for the ALEXA 35 Live camera system. Also on an unspecified date, the Australian Film Television and Radio School became an ARRI Certified Film School. On an unspecified date, price reductions of approximately $18,500 USD were applied to select ARRI ALEXA 35 Sets, including the Lightweight Set and Premium Production Sets (15mm and 19mm Studio). Separately, Control Risks released the 10th edition of its Africa Risk-Reward Index (ARRI) in partnership with Oxford Economics Africa on an unspecified date. The 2025 edition of the ARRI covers 24 African markets.

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Arri offers 6 products in the media tech industry. Arri's product portfolio comprises of broadcast professional services, media managed services, content acquisition and production and post production.

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Arri's revenues were less than $1B in 2023. Caretta Research has split Arri's revenue into 6 different product categories, the largest of which is studio lighting systems. For full access to Arri's revenue breakdown subscribe to Caretta Portal.

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Jan

22nd

2026

18:30

Emerging Tech, B2B Tag

ARRI ECS Software Updates

ARRI has announced new SUPs for the NIA-1, Hi-5, and a range of other devices within the ARRI Electronic Control System. Key new features include support of extended Sony Venice camera control with the NIA-1 and improved control of the ALEXA 35 Xtreme when using the RIA-1 or cforce mini RF as a radio host.

Newsshooter

Jan

16th

2026

12:25

B2B Tag

The 4 Elements That Can Make Digital Footage Look Like the 1970s

You might've assumed The Holdovers was shot on celluloid. From the opening frames, the 2023 Best Picture nominee has that unmistakable warmth of early '70s cinema. It looks amazing, with its slight grain and vivid colors.

No Film School

Jan

11th

2026

21:30

Emerging Tech, B2B Tag

NBA on Prime Video Motion Graphics and Broadcast Design Gallery

FCC chairman warns broadcast power has shifted away from local TV stations to national networks NBCU picks up peacock after Versant spinoff flies through CNN slates ‘Whole Story’ edition on Maduro WGN to debut nightly

NewscastStudio

Jan

10th

2026

18:30

Cameras Behind the 83rd Golden Globe Awards Nominees: ARRI 35, ARRICAM, and ARRFLEX

At YMCinema, tracking the cameras behind major film festivals and awards has become a long-standing editorial tradition. Each year, these lists reveal far more than technical preferences. They quietly expose where cinematic confidence truly lives. The 83rd Golden Globe Awards nominees deliver one of the clearest signals yet.

Y.M.Cinema Magazine

Jan

10th

2026

18:30

Emerging Tech

ARRI Cameras at the 2026 Golden Globes

Above, you can see what ARRI cameras were used on Golden Globe-nominated films across digital and film formats. The ALEXA 35 leads the way, followed by strong use of ALEXA Mini LF, ALEXA Mini, and classic ARRICAM and ARRIFLEX systems.

Newsshooter

Jan

8th

2026

18:30

B2B Tag

Save Big on the Lighting Gear That Can Improve Your Photos in 2026

The new year is the perfect excuse to finally upgrade the lighting gear that shapes every shot you take. Whether you are refining a home studio, stepping into video production, or simply tired of fighting inconsistent light, better lighting delivers immediate, visible improvements to your work.

PetaPixel

Jan

7th

2026

18:30

Why the ARRI 235 Might Just Be the Coolest 35mm Camera on the Planet

Every once in a while, a camera earns legendary status not just for its specs but for how it feels in a cinematographer’s hands. For us at YMCinema, the ARRI 235 is exactly that kind of camera, and if you watched Shane Hurlbut, ASC: Cinematography Tip of the Day, you already know why this thing is legendary for handheld work.

Y.M.Cinema Magazine

Jan

4th

2026

18:30

Gray Media promotes ‘We the People’ initiative ahead of America’s 250th

CES 2026: Pearl TV launches converter box program to support ATSC 3.0 transition Fox News Media schedules three-hour New Year’s Eve special for 2026 Anderson Cooper, Andy Cohen to return for ninth New Year’s Eve

NewscastStudio

Jan

1st

2026

19:04

End Cine Cameras — American Movie Company

Here are the opinions of the American Movie Company directors of photography. High-end XLR-equipped cinema cameras are the backbone of professional film, TV, and commercial production because they combine robust image quality, wide dynamic range, modular workflows, and true pro-audio support via built-in XLR inputs.

Americanmovieco

Dec

29th

2025

13:00

Who Are the Top 9 Digital Movie Camera Companies Globally?

Digital movie camera companies are specialized manufacturers that design, engineer, and produce high-performance imaging systems used in filmmaking, broadcasting, advertising, OTT content creation, documentaries, and high-end cinematography. These companies develop advanced digital cinema cameras equipped with large sensors, high dynamic range, 4K–12K video capture, RAW recording formats, and professional-grade image processing engines.

Global Growth Insights

Dec

29th

2025

08:22

Advanced Manufacturing

Cinematography Course: Lighting & Post

12 The Evolving Art of Cinematography: From Light to Digital Mastery The world of filmmaking is in constant flux, driven by technological advancements and evolving artistic visions. A recent workshop in Rome, led by renowned cinematographer Giuseppe Lanci – a veteran of over 70 films and current artistic director of photography at the Centro Sperimentale di Cinematografia – highlights this dynamic.

Newsy Today

Dec

26th

2025

06:00

B2B Tag

Capacity Tripods for Heavy Cinema Rigs

A $15,000 cinema camera deserves better than a wobbly tripod. Add a heavy telephoto lens, and consumer-grade legs start flexing, drifting, and ruining your shots. Only the right high-capacity support system can keep expensive gear stable and deliver the smooth, precise movements professional footage demands.

Ulanzi

Arri's customers primarily consist of broadcast television and radio companies. Examples of Arri's customers include Al Mashhad and Nottingham Trent University. Arri has partners like The Helm. Examples of Arri's suppliers include Rohde & Schwarz and MASV.

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Analysis

Data

Arri

2023 Revenue

Founded

Headcount

Headquarters

Primary Segment

Ownership

Deployments

News Summary:

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